![]() New grand piano modelled after a New York Steinway Model D All pianos in Pianoteq 7 are constructed and revoiced using this new physical model. ![]() It also allows longer sustain, particularly in the bass range, with notes lasting up to a couple of minutes, just like on a real acoustic piano. The new physical model allows more complex tones to be produced, and as observed by a pianist, the sound becomes "three-dimensional". parallel or perpendicular to the soundboard. It consists in modelling string vibrations that can take any direction, e.g. Modartt introduces a new refinement in its physical model: the double polarization. The difference between Morphing and Layering is that in the latter the two sounds are mixed together, whereas in Morphing the instrument Physics itself is being morphed. playing Bass Marimba in the low range, Xylophone in the upper range and mixing both together in the middle range. On popular demand, Modartt adds a new layering feature in Pianoteq 7 (Standard/PRO) allowing to mix several instruments, e.g. This innovative technology handles the morphing at the physical modelling level, providing stunning acoustic authenticity to instruments that never existed. ![]() These are however three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard/PRO). The instruments XyloHarp, VibraDrum or GlockenTines certainly do not exist. Version 7 of Pianoteq brings numerous refinements in its engine and physical model, as well as newly developed Morphing and Layering features. By omitting usage of samples, the file size is just a tiny fraction of that offered by other virtual instruments, perfect for use on any modern laptop. What makes Pianoteq superior to other virtual instruments is that the instruments are physically modelled and thus can simulate the playability and complex behaviour of real acoustic instruments. ![]()
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